Howard Hodgkin’s artwork for London 2012 Olympics has turned out to be brilliant, it has the unique property of pulling at emotional and physiological strings.  There has been the usual outcry from conservative voices about how this ‘non-figurative’ work does not speak to Londoners. In fact Hodgkin sets up an aesthetic standard for Londoners that they must and will rise to.

Hodgkin calls this work swimming. The blue grades out from light to dark – simple and exceptional. The brush strokes are exquisite with natural curls, twists and turns developing patterns of a constant flux of blue. With this art piece there is a sense of belief, a bit of madness and lot of passion. And, behind this chaotic blue one finds peace waiting to surrender. Something like the sport of swimming itself!

When the commoners were asked about this image without mentioning that it was a part of  the Olympics they were taken in by its depth of emotion. There were mixed reactions from people –  some said it’s like spirit of freedom, for others it’s an emotional experience. Some said it’s good in a way that can’t be defined in words.  Others had no reasons to like it, except they felt it’s a bit like a child – pure and simple. This answers to the power of Hodgkin’s work and to the power of the so called ‘abstract’ in being able to speak to everyone who faces it.

Later, when the complete poster was revealed with the artist’s name, The Olympic logo and the London 2012 theme people were awestruck.  They couldn’t believe it to be a part of such a big event. This element of surprise and its simplicity works wonders for Hodgkin’s Swimming. Including this as a poster might have been a tough decision for the Olympic committee and they certainly need a moment of recognition. They have pulled off something which will be remembered long after the events are over.